October 18, 2020EssayNo comment
Frederic Anderson: ‘The Language of Walls’
Frederic Anderson begins his residency at Instantloveland by following the winding path that leads from Artex to Art...
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August 31, 2020Interview10 Comments
Sam Cornish: A Dialogue with Susan Roth
In his third piece as Writer-in-Residence for Instantloveland, Sam Cornish discusses materials, means and meanings with artist Susan Roth...
August 21, 2020Essay2 Comments
Charley Peters: ‘Crazy Like Machines: Cyborg Abstractions in the Technological Age’
In her third piece as an Instantloveland writer-in-residence, Charley Peters examines how Eva Hesse's 'real nonsense' has opened pathways for painters working now...
July 28, 2020Essay5 Comments
John Bunker considers Frank Bowling’s ‘Towards Crab Island’
John Bunker on a painting of glittering surfaces and dark depths...
July 17, 2020Essay4 Comments
James Faure Walker: ‘Speed Limits: Digital Paint and Abstract Painting’
In his third piece as a writer-in-residence at Instantloveland, James Faure Walker recalls the resistance he encountered as a maker of digital art...
July 2, 2020Essay1 comment
John Bunker: ‘Geoff Rigden: Lyricism Laughing at itself’
John Bunker offers a timely appreciation of Geoff Rigden's mischievous visual intelligence...
June 28, 2020InterviewNo comment
Jillian Knipe in conversation with Moyra Derby: Propositions for Paintings
In her second piece as writer-in-residence at Instantloveland, Jillian Knipe moves back and forth between an interview with artist Moyra Derby, and reflections on the meanings and contexts of her work......
June 19, 2020Essay5 Comments
Matt Dennis: ‘Red is always Good. Red is better than Brown. And Green is not always Great.’
Matt Dennis on Nathan Kahn's filmic portrait of the Contemporary Art market, 'The Price of Everything'...
May 12, 2020Essay4 Comments
Alan Gouk: ‘Gauguin, Van Gogh, Matisse, Part II: The Apotheosis of Decoration’
In the second part of his extended essay, Alan Gouk examines how the ornamental impulse in Gauguin’s late paintings finds its full expression in the breathtaking decorative splendour of Matisse… There is much that could be...